In Stranger Visions artist Heather Dewey-Hagborg creates portrait sculptures from analyses of genetic material collected in public places. Working with the traces strangers unwittingly leave behind, Dewey-Hagborg calls attention to the impulse toward genetic determinism and the potential for a culture of genetic surveillance.
Stranger Visions, winner of a special mention at VIDA 15.0, has been exhibited locally and internationally at events and venues including: The New York Public Library, Ars Electronica, Eyebeam, Science Gallery Dublin, the 92Y Tribeca, Clocktower Gallery, Washington Project for the Arts, University of Technology Gallery in Sydney, among many others.
I have given many public presentations about Stranger Visions on panels, and at conferences and festivals including: The Wilson Center for Public Policy, The Norwegian Biotechnology Advisory Board, The Broad Institute of Harvard and MIT, Genspace, The New School, The International Association of Privacy Professionals, and Eyeo.
Cover of Government Technology. Features on: Arts Asia Pacific, TED, BBC, Reuters, the German cultural show Aspekte on the channel ZDF, the New Yorker, the Guardian, CNN Sunday Morning, CNN International, and CNN Technovations, NPR, Smithsonian, New York Times Magazine, Wired UK, Fuji TV in Japan, CNN, Wall Street Journal, Times of London and UK Daily Mail, Il Sole 24 Ore, Dan Rather Reports (video) (starts at 39:38), Studio 360 (radio and video), Art Ukraine, CBS News Radio, Le Monde, Haaretz, New York Post (video), The Boston Globe, The Creators Project, Designboom, The Verge, Fast Company, Motherboard and "face of the day" on the Daily Beast. Write-up in Science Magazine, Capital New York and Artlog
The code underpinning Stranger Visions is a work in progress. I have started a public version on github.back